To be clear the concepts that I am dealing with are bigger than the words in my poetry. They are bigger than the imagery that I paint. They are the concepts of love and hate; peace and war; of comfort and suffering; of gain and loss. Consequently I must pose the questions: How do I best convey these concepts in images and in words? Also how can I control substance and verse without one dominating the other? I began by exploring the physical lettering within the composition. My natural approach is to write my poetry in cursive script. For me it is the easiest method.
Coincidentally I noticed textures in painting, the grain, the brushstrokes, impasto, aging varnish and cracking paint. I embarked on a focal point of certain features of my paintings topographically like a window frame or my mother's hair, blades of grass. Then I discovered if I embossed the words of my poetry into the paint I add depth and profundity.
In order to gain a deeper understanding of my work it is advisable to read the poem in the painting. My work is an exploration of the relationship between the word and the image
My studio was featured on this page in: Hyperallergic: 'A View From the Easel'
In May 2015 I exhibited my paintings in Jaffa/Tel Aviv at an Art Event: "Between Two Worlds"
I also presented a solo exhibition of my paintings, August/September 2015 at the W Tower Tel Aviv, Nissim Aloni Street 6, curated by Lori Pszenica. "Longing in Words and Paintings"
With positive feedback I also showed a solo exhibition of my paintings in February/March, 2016 at Beit Silber, Derek Abba Silber 7, Diamond Exchange District, Ramat Gan, Israel curated by Lori Pszenica. "Yearning in Words and Paintings"
n October/November I participated in a group show at Beit Rubinstein, Tel Aviv curated by Lori Pszenica, entitled "It is Sacred to me, my Country"